"Greenberg scintillates with intelligence, razor's-edge humor and austere empathy for its struggling lovers."
Three adjectives that describe the film in one sentence is done well and there isn't any more clunky or awkwardness than you'd expect.
Morgenstern knows the director and the subject material well. Citing examples of past works by the director, which is something not many writers, at least good writers do. They take the time to get background information, some knowledge on the creativity of the director (Baumbach).
"This is a new departure for Mr. Baumbach, even though he might seem to be working the same territory of neurotic dysfunction and mutual need that he explored, sometimes relentlessly, in "The Squid and the Whale" and "Margot at the Wedding."
Morgenstern uses his previous generalities and delves into the details within his review, its something that should be followed and its easy to digest. Nothing seems out of place on this review and it flows easily. Its a good manuscript to follow if you're critiquing something and I probably will use it in future reviews.
"Greenberg" is a love story, yes, but it's also a tale of two people adrift in separate currents, constantly sinking and bobbing to the surface like synchro swimmers out of sync.
2005: Joe Morgenstern of Wall Street Journal, "for his reviews that elucidated the strengths and weaknesses of film with rare insight, authority and wit."
Morgenstern's Rotten Tomatoes Profile
Wall Street Journal /Film Review ("Joe Morgenstern is the film critic of WSJ")
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